You still have time to see the show. One of the most com­pelling painters. Dump all you know from your brain and see the work in a new light. This is a nifty lit­tle trailer that the Whitney put together for the exhibition.

from the Whitney web­site:
Although Georgia O’Keeffe (1887–1986) has long been cel­e­brated as a cen­tral fig­ure in twentieth-century art, the abstract works she cre­ated through­out her career have remained over­looked by crit­ics and the pub­lic in favor of her rep­re­sen­ta­tional sub­jects. In 1915, O’Keeffe leaped into abstrac­tion with a group of char­coal draw­ings that were among the most rad­i­cal cre­ations pro­duced in the United States at that time. In these and sub­se­quent abstrac­tions, O’Keeffe sought to tran­scribe her inef­fa­ble thoughts and emo­tions. While her out­put of abstract work declined after 1930, she returned to abstrac­tion in the mid-1940s with a new vocab­u­lary that pro­vided a prece­dent for a younger gen­er­a­tion of abstrac­tion­ists. By devot­ing itself to this largely unex­plored area of her work, Georgia O’Keeffe: Abstraction is an over­due acknowl­edg­ment of her place as one of America’s first abstract artists.

Abstraction is an over­due acknowl­edg­ment of her place as one of America’s first abstract artists.

The exhi­bi­tion includes more than 125 paint­ings, draw­ings, water­col­ors, and sculp­tures by O’Keeffe as well as selected exam­ples of Alfred Stieglitz’s famous pho­to­graphic por­trait series of O’Keeffe. The exhi­bi­tion will be accom­pa­nied by a fully illus­trated cat­a­logue with essays by the orga­niz­ers, excerpts from the recently unsealed Stieglitz-O’Keeffe cor­re­spon­dence, and a con­tex­tual chronol­ogy of O’Keeffe’s art and life.

The cura­to­r­ial team, led by Whitney cura­tor Barbara Haskell, includes Barbara Buhler Lynes, cura­tor of the Georgia O’Keeffe Museum and the Emily Fisher Landau Director of the Georgia O’Keeffe Museum Research Center; Bruce Robertson, pro­fes­sor of the his­tory of art and archi­tec­ture at the University of California, Santa Barbara; Elizabeth Hutton Turner, pro­fes­sor and vice provost for the arts at the University of Virginia and guest cura­tor at the Phillips Collection; and Sasha Nicholas, Whitney cura­to­r­ial assis­tant. Georgia O’Keeffe: Abstraction trav­els to The Phillips Collection, Washington DC, February 6–May 9, 2010, and to the Georgia O’Keeffe Museum, Santa Fe, May 28–September 10, 2010.

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